ARTISTRY OF WRESTLING: Roman Reigns destroys fundamental artistic pillars of pro wrestling in post-WrestleMania push

BY ZACK HEYDORN, PWTORCH CONTRIBUTOR


Roman Reigns (credit Scott Lunn - @ScottLunn © PWTorch)

Art is the creation of something from nothing that elicits a reaction. Pro wrestling embodies that definition. In wrestling, men and women step inside the squared circle and create with their actions, expressions, words, and bodies to garner a specific and distinct reaction from their audience. In turn, the audience responds to, engages with, and affects the work. No other art form in the world carries that uniqueness. In this column, we explore that art form inside real and relevant examples. Enjoy.


Well, it appears that we’re not quite at rock bottom yet as we’ve hit a brand new low in the saga that is Roman Reigns. If you missed Monday Night Raw this week, his rejection is now so lethal that failed acts like Jinder Mahal are cheered instead of him. That’s right, it’s so bad with Reigns that fans have openly accepted a character who portrays a gimmick straight out of the 80’s and is borderline racist in 2018 over a man whose main-evented WrestleMania four times in a row. After Mahal, maybe Reigns will be up for rebuilding Curt Hawkins next? It would be funny if it wasn’t true.

The Reigns story has been told to death. He was over pushed and lacked the time to get his character organically over with the audience. That coupled with the fact that the audience already made their pick for “top star” in the form of Daniel Bryan and the result was immediate Reigns backlash. That blood is on the hands of the WWE. Rushing to get Reigns to where they wanted him to be hurt his chances at actually getting there. Roman hasn’t helped himself in this process either. He regularly comes off as arrogant, too cool, and above the business he’s at the head of. This has led to audiences feeling even less inclined to accept him as he has prioritized being a corporate yes man over having a money making connection and openness with the fans.

Even with intense push-back and without a viable top babyface reaction, a calculated mix of smoke, mirrors, and pulling the curtain back on backstage politics was deployed by Vince McMahon throughout all of 2017 to pigeon hole Reigns into the main event of WrestleMania 34. In it, he’d finally take down Brock Lesnar and get his official crowning moment as the company’s top babyface. In classic fashion, fans revolted during the match and dismissed it with apathy. WWE capped off their year with Reigns’s flame burning out with the world watching. In the end, loyal fans who spend big money on the WWE product saw through their trickery and said enough was enough.

Reigns’s push continuing the way it has since WrestleMania 34 simply isn’t what pro wrestling is about. Within the insidiously bad promo segments and matches recently, Reigns is acting as a mechanism to fight the fan’s artistic involvement when he should be catering to them and using them to achieve success. Imagine Stone Cold Steve Austin driving a beer truck out to a chorus of thunderous boos or Hulk Hogan slamming Andre The Giant to an audience batting beach balls through the air. Those moments needed the artistry of the audience’s reaction to become as iconic as they are today. Their absence within Roman Reigns destroys fundamental artistic principals that the wrestling business is built on.

Roman Reigns has never been a great promo, but his work since WrestleMania has been particularly bad and has stunted storyline progression on Raw. The reaction that his push is eliciting from the crowd makes it impossible for him to do his job in getting the audience to react for him and the story he’s trying to tell. Anything that Reigns does falls on deaf ears which makes his artistic choices superfluous. Artistic elements like tone of voice, volume, expression, and body language can’t work for him like they do for others. Plus, his words are ignored because the audience rejects him outright. In his promo segments with Samoa Joe, he appeared bully-like and smug when he was written to come off as confident, witty, and intense. Why? Because the audience’s role in that segment and the art behind it was missing. Had the correct response been there for him and had Reigns been able to react to that and cultivate it in his favor, he would have been seen in a different light. The art in the audience allows for that proper reaction to happen and for a logical story to take place.

Same thing with Reigns matches. Because he can’t effectively get his story over on the microphone, he can’t execute that story in the ring via a good match. A good match needs a crowd reaction. Reigns and his opponent can work in pristine psychology that rivals Flair vs. Steamboat, but if the reaction isn’t there, it’s done in vain. What makes pro wrestling a unique art form is the fact that the reaction of the artist’s subject affects the art itself. Reigns and his opponent need the crowd reaction to mirror the writing so they can help tell the story well. At Backlash, Reigns and Joe mistakenly constructed their match based on getting the correct reaction, but the reaction was nowhere to be found. Joe dominating Reigns for the entirety of the match was artistically designed to drum up sympathy for Reigns. Because the crowd cheered Joe throughout, the story of the match made no sense and therefore the art within the match was lost. Reigns’s facial expressions meant nothing, his selling was worthless, and the match sputtered in first gear for nearly 20 minutes. The Money In The Bank qualifier match on Raw this week highlighted that same fact. In the match, Reigns was mauled by both of his opponents in an effort to setup a heroic comeback and again, the reaction wasn’t there and all art that followed it was rendered useless. When the comeback hit, fans didn’t care, and regardless of how great the in-ring action was, the match fell flat because the biggest moment in it didn’t click properly.

Roman’s push as WWE’s top babyface should have ended in New Orleans on April 8th. Even to the casual wrestling viewer, it was painfully obvious that a natural artistic connection was missing between him and the fans that are supposed to cheer him on. In the weeks after WrestleMania and this week on Raw, the audience continued to get more of the same and they’ve responded with an even more vicious and passionate rejection than before. Yes, that backlash manifests itself in a negative response, but it also roots itself in the audience happily abandoning their artistic responsibilities in the wrestling product. The result is a show that’s unfocused and nonsensical. With Roman Reigns, the WWE has created an environment in which its competing with its own audience. Not only has that strategy gotten Reigns to where he is today, but it ruins the art of the business.

The art in wrestling is what makes watching wrestling fun. The art triggers the story and reaction. In return, the reaction feeds the story and the art. That’s the formula. What’s happening with Roman Reigns contradicts that on all fronts and makes watching less enjoyable. He’s at the point where he can’t cut a promo and can’t have a successful match because he can’t capitalize on the art or reaction involved in those endeavors. The artistic capability of WWE’s biggest star has been fully neutralized. In a business that is tied to the art within it, that’s a problem. That failure resonates through the entire WWE system and at the top of their biggest and most important show stands an act that runs counter to everything that the show is supposed to be about.


NOW CHECK OUT LAST WEEK’S COLUMN: ARTISTRY OF WRESTLING: Seth Rollins shakes Montreal by utilizing beautiful spontaneity to magnify a raucous reaction

8 Comments on ARTISTRY OF WRESTLING: Roman Reigns destroys fundamental artistic pillars of pro wrestling in post-WrestleMania push

  1. That wasn’t your typical WWE crowd. Lol.

    Seriously though, you’re pretty spot on. It’s amazing how everyone sees the problem, but Vince is so dug in on this. Jinder Mahal, of all people, went babyface for a night against Roman. It’s not even an issue of Roman not being favored against cool heels anymore. The audience doesn’t like the guy.

    The funny thing is I got it when they never turned Cena. He does all the Make a Wish things, and I mean you can see he sold a lot of merchandise. That was just WWE being a business.

    This is an old man staining his empire because he won’t adapt.

  2. The vocal male hardcore demo that attend raw/ppvs are going to boo every tall, good-looking guy with a good body who is pushed to the top as a babyface from here on out. Its not a Reigns thing, Jason Jordan was getting it too before his injury and he was barely getting a push above midcard. Since 2002 we have seen it with Rock, Edge and Cena.

    I would personally turn Reigns heel but fact is Reigns is still most talked about wrestler on earth, he sells more merch and his reactions at houseshows throughout the world are incredible. They sold out all Reigns merch at the Dublin houseshow this past Friday.

  3. Reigns is good looking but just looks kind of desperate now and who wouldn’t when constantly dealing with an endless audience temper tantrum caused mostly by WWE management. I feel sorry for the guy and just wish that WWE would turn him heel already. I’m getting tired of the WWE for many reasons and Roman himself is just a small part of it but is a symptom of a lot that is wrong.

  4. if i was wwe i would do what njpw did with Naito when they sent him to mexico and he came back cool. send reigns to Japan. mexico eg and see what he like when he gets back. If they send him to NJPW they should ask for a kenny omega vs chris jericho rematch on a wwe ppv as an exchange.

  5. It goes far beyond McMahon not turning Reigns heel. At this point, it’s causing current heels to be treated like a baby face, which in turn takes them out of their entire game. Why Vince chooses to do this to Reigns is beyond me, he could be a great heel character. I would much rather watch a heel Reigns team up with Strowman to dominate the way the Road Warriors did in the 80’s.

  6. Pay me $2.5m downside a year and boo the pi*s out of me every night!!!! I would give absolutely no sh*ts…..

  7. One of the best-written pieces I have ever seen here. Bravo! The true heel turn needs to happen ASAP, Reigns viciously turns on the audience, on Angle, on Graves, on an audience plant, on Renee, on Rollins, on everyone. It’s the only way to use him.

Leave a Reply

Your email address will not be published.


*